I had a Skype call yesterday and written notes arrived today. Feedback is attached Kate_Aston_513940_Assignment_4_Feedback
I need to say first that the system of Skype call + written notes works very well for me. It is good to have the chance to ask questions or request clarification face to face.
I am thrilled with this feedback. I did take some risks on this work, from researching after starting shooting rather than before, to working with a subject that I couldn’t move, rearrange or change in any way and taking a completely different approach whilst still hoping to render the work recognisable and to stimulate memories and discussion. It started out as an exercise that gained critique feedback from the cautiously positive to the downright interesting. Thanks to further helpful feedback it evolved into work of which I am genuinely proud, even though sometimes I still can’t believe that I made it.
As it is now time for a G&T on a very sunny Friday afternoon I shall wrap this here and return to it over the weekend to add in details. I will then revisit it over time with updates. I feel the need to mention that no re-work is needed on this one, although there is a pathway for me to explore should I wish to do so. Many thanks to everyone who was a part of this work – from suggesting boxes, offering encouragement, offering critique and sending me mobile images of boxes that they saw.
A few days on…
I remain thrilled about this feedback, not just because it’s reassuring and complimentary but also because of the doors that it opens to other avenues of exploration and the opportunities that it gives me, through rework of other assignments, to close the loops between starting the course and finishing the course.
Genuinely thrilled with comments such as “strong and cohesive series of images” and “the edit is held together through its tonality and inside-out exploration”. It is great to realise that the ambitions I had for this work translated into reality via all those dark wet evenings photographing phone boxes.
Thinking about rework, Action I am going to get all the images printed and decide at that point which, if any, need to edited or reshot. Moira made some interesting suggestions about ways I could develop the work further. These are around returning the prints to their source to see how they are changed by their environment. This idea reminded me of Stephen Gill’s work Hackney Marshes, and Moira told me about Catherine Yass, who returned her work to the canal and let the water alter it. I had wondered about making prints or postcards of the work and leaving them in the phone boxes. I know this would be interesting but I had two main reservations. The first was whether I would be taking a work that is fine in its current form and turning it to something more creative but less accomplished and the second the rather more prosaic fact that I would be moving away from the darkness and into daylight, and hence away from the brief. There are also practical concerns, ranging from would the photos simply disappear to the probably more likely scenario that they would just sit in the box untouched. I do wonder though, about printing them as postcards, adding a PO box and stamp, and leaving them in the boxes… Action: learn more about Catherine Yass’ work and write a blog post. Action: look into PO Box set up and costs.
It was interesting to read Moira’s notes “Barthes notion of the Punctum is relevant here, and Proust’s Involuntary Memory.” I had been reading about Punctum in a thread on the OCA discussion board about whether a photographer could wilfully manipulate a viewer into seeing a particular punctum. One point made was that you can’t do this, since by definition the punctum is specific to each viewer and their reading of the image. I have done some quick research around Proust’s Involuntary Memory, which I hadn’t encountered before. It seems to be about how a memory can arise unbidden, often triggered by a taste, a smell, a word, for example. I liked this because I think that phone boxes are part of memory for so many of us, even if we don’t consciously realise it. Action: read and blog about Proust’s Involuntary Memory.
Research: action Set up a trip to London to see Wolfgagng Tillman and Deutsche Borse.
Learning log. I was very happy that my two decisions to work slightly differently both paid off. I felt slightly exposed with both choices – firstly because I had far less research upfront before starting and secondly because I opened the work to peer review right from the start. I will follow these approaches. I think that less research upfront meant more creative license for me.
Suggested reading/viewing – Catherine Yass (see above) and action watch Peter Greenaway’s Dear Phone. I haven’t found it yet but hope it will be on Amazon as a rental.
Pointers for next assignment – this was so exciting! I had two ideas for A5 and my tutor has been positive about them both. I’ve decided to work with altered instant prints. Action – write blog post on my choices. I was very inspired by Moira’s ide of using the physical prints themselves as pages in a photo book action read up on the Manchester Metropolitan University special collections. Action – revisit Walter Benjamin’s idea of the Aura, first encountered in my A3 tutor feedback. Action – learn about the Mobius strip, including Elizabeth Grosz Volatile Bodies . Moira mentioned this in relation to my Polaroid plans, but as soon as she said it I thought of A2 heads and my feminist reading of pressure on children to smile in photos. I don’t know if the concept will port successfully from a feminist/sexuality reading to photobooth strips of children’s photos… but there’s a way to find out. It might work better with women rather than children, however the inside/outside nature of the Mobius strip fits perfectly with my work.